The first ever release for the unfinished 'lost' album by Care; Love Crowns & Crucifies

Care were lan Broudie (Lightning Seeds) and Paul Simpson (Wild Swans).
“The blueprint was simple: Hot Chocolate rhythms, George Murray bass lines, classical music instruments with pop sensibilities. We, the architects, however, were complicated.” – Paul Simpson, 2025
Available in Ian Broudie and Paul Simpson sleeves.

Quite simply, there’s a bunch of records I really want to have in my collection. And the only way for that to happen is to press them up and give them the release they always deserved.

Needle Mythology
co-founder Pete Paphides

Care

The first ever release for the unfinished ‘lost’ album by CareMastered by Miles Showell at Abbey Road.
Prior to forming Care, lan Broudie (Lightning Seeds) and Paul Simpson had been active in the Liverpool post-punk scene. lan played alongside Holly Johnson, Jayne Casey, Budgie and Bill Drummond in Big In Japan, before joining the Original Mirrors. He also produced several early records by Echo and the Bunnymen. Paul had played with school friend and future Bunnyman Will Sergeant in Industrial Domestic and the founding line-up of The Teardrop Explodes, before going on to form The Wild Swans.
Care were brought together late in 1982 by mutual friend Will Sergeant, when Paul was looking for someone to play a guitar part for a new song he had written. lan obliged and asked him to return the favour by singing on one of his songs Tall Ships. When Bunnymen manager Bill Drummond heard the result, now retitled My Boyish Days (Drink To Me), he secured the pair a deal with Arista on the back of it.
Care would go on to release three acclaimed singles over the course of a twelve-month period between 1983 and 1984, before Simpson, still struggling to come to terms with the break-up of his previous band decided not to continue.
Although top 40 success eluded Care in the UK, the group quickly found an adoring fanbase in the Philippines, where all three singles became huge hits.